My childhood wasn’t very long. From a young age, I played the peacekeeper. I anxiously performed, cajoling, joking, even the occasional soft shoe, keeping everyone happy, and out of the sleeping pills. My mother asleep, my stepfather in the fields, my sister gone, I spent time alone. I read books, stacks of them. I drew pictures, creating a world peopled with my pets. They all had voices, though I did not, and I talked to them and for them, until I was frightened I had become them. For a time, I lost my own voice, speaking only as a character known as “Belva-deah.”I was scared, sad, and felt alone. I have examined my chronologic childhood for signs of an emotional one. They are few, but they exist. Summertime is when I remember it most, at Sycamore Springs. It was there that my childhood existed, and was real.

Every day of the summer at 12:45 I’d ride my bike down to the library. As I hit a cobblestoned bump, I’d lift off the silver and blue glitter banana seat; a stunt rider standing on my pedals. Skidding to a halt, in front of the square granite building, I put my bike in the rack, leaving it unlocked, unchained. Who would steal a bike in our small town? Joining the throng of sweaty, rowdy kids on the dying brown grass, I’d wait for the bus. Mostly on time, it pulled up to the curb daily at one p.m., an off-duty yellow school bus, pressed into community service. Crowding on, we’d fight for the best seats—back, window, behind the driver—and settle gingerly onto the scorching hot leather, butts down, thighs held off the surface, fanning underneath until our skin could stand the heat. Mouths as wide open as the windows, we waited for the driver to yell at us to sit down and be quiet. The noise lessened a fraction of a decibel. The heat of standing still finally getting to him, the driver would get going.

We headed through the area we called “uptown,”—a few blocks of stores, the courthouse, and whitewashed bowling alley, and by the manicured white houses of Main Street, finally reaching the highway. Turning left at the chamber of commerce sign with its cartoon owl, (“Be WISE, Shop S——-!”) we were on Highway 75, passing under the only traffic signal in town. It uselessly flashed yellow, urging highwaybound motorists to slow down and notice us. We continued north almost into the next state, turning off onto a dirt road, dust swirling into the bus, kids screaming out the window at farmers on tractors, “Hey, Gramps, get over!” Many of the kids were strangers to one another, though their behavior wasn’t—hairpulling, headslapping, “Indian burns,” jokes whose punchlines ended literally. I pulled out a book, probably the Bobbsey Twins or Nancy Drew, and attempted invisibility.

Finally, we passed under stately trees, past a dilapidated hotel and down a winding lane to our respite. Escaping from heat, boredom, siblings, three local and useless TV channels, room cleaning, lawn mowing, weed pulling, thistle cutting, vegetable canning, laundry hanging, and the bus that brought us, we rushed through the gate and into the blue water of Sycamore Springs.

Back then, there was no hesitant wading in from zero depth, or easing yourself off the side into the shallows. It was all or nothing—a mad dash and a cannonball into the deep, a cold wet trip down the aqua plastic slide, a plunge from the 10 foot high dive down, down, to touch the bottom, find purchase with your feet, and propel yourself back to the surface, gasping for air. Spring fed, the pool was cold for the first 6 weeks of the season. (A sheen of ice, nearly invisible, sat on the surface to crack through on your first “bob” during morning swim lessons.)

If I was lucky enough to meet up with a friend from school, we spent all afternoon reading imaginary books and acting surprised when, mid-sentence, we accidentally fell off the diving board; drinking tea underwater; shouting “Marco! Polo!, and trying to perfect two underwater maneuvers—the handstand and the “butt-kick.” The butt-kick involved joining hands and soles of feet underwater and a rotational pull which brought your butts together with a “smack!” and finally, flipped you on over into somersaults. Done correctly, it was a thing of beauty, a synchronized move worthy of Esther Williams. Done incorrectly, heads were kicked, faces scratched, and arms wrenched. My friend Debbie and I were the butt-kick champs and could perform the feat for hours.

After two or more hours of cool liquid pleasure, it was time for a snack, which meant looking for my basket. It contained my clothes and money, thrown in hastily, and was checked into the office when I arrived. It was up to you to remember your number—there were no matching safety pins to wear on your suit. (“Number 23. 2–3. 23,” I would mentally repeat to myself as I walked away.) The attendants spent many hours a day holding up basket after basket. “No, that’s not it. It has a red belt in it.” And so on.

Eventually, the basket would be claimed, even if the attendant had to haul the kid over the counter to look for it himself. Money finally in hand, it was time to eat. The teenager at the window slid the screen up like a junk food peep show, but the players were only a tantalizing blur to me, having left my glasses in the wire basket. I could smell them—the hot tamales, chik-o-stiks, tater tots, papery ice cream cones, the sickly sweet sno-cone syrups. A bored high school boy or girl stood staring while I squinted, shifting from hot foot to hot foot, occasionally shoved from behind (–“hurry UP!”). Decision eventually made, I’d cram my mouth with whatever junk I had purchased, linking it forever in my limbic system with the taste and smell of chlorine, the season of summer, and the color blue. I tried to time my snack break for the hourly pool check. “Everyone out of the pool—POOL CHECK.” The pool check served several purposes. Any fights currently in progress were broken up, at least temporarily. The lifeguards got in to swim, cool off, and flirt. Their behavior during pool checks was an early and titillating encounter with sexuality. The pool moms looked on in disgust, some hustling their kids off to the bathroom (“I don’t care if you don’t have to go—you’re going to try.”) We held our breath as we hopped from foot to foot no the scorching pavement hoping that a dead body would be found and pulled from the watery depths. No one ever died there, that I know of, but we all hoped for it. It was rumored that two people had been paralyzed diving off the high board. These unfortunates were discussed in reverent tones in the line for the high dive. Pool checks lasted 10 minutes, an eternity on a hot summer day.

By the end of the day, we were brown, exhausted, and nearly sunblind. Lying in the warm water of the shallows, we rubbed baby oil and iodine into our skin, and squinted at each other, no longer talking, just marinating. We swatted biting flies and sweat bees away from our necks, while we watched older boys do acrobatic leaps over and over from the high dive. Every so often, a fat adult would get up on the high board, and all the kids would watch. After the big splash, there was a lot of cruel banter from the kids in line. “Man, it’s a good thing he didn’t break the board. Tidal wave!”

At some point, we would notice several people sitting on bleachers outside the fence. The bleachers implied that this was a spectator sport, and there were usually two types of people sitting on them, watching. Chubby moms, too embarrassed to wear a swimsuit, sat uncomfortably, wearing long shorts and baggy blouses, sipping iced tea and checking their watches every couple minutes, and applying more bug spray. The second type was old guys who were usually dressed in slacks and white button-down shirts. They had gray hair, and looked kind of greasy. We thought maybe they were staying at the campground. They stared at us a lot, and sometimes they talked to themselves. It seemed like a long drive out in the country to just to sit and watch. I didn’t understand how anyone could be close enough to the water to smell the chlorine, but not get in.

At the end of the day, we would all make a final stop at the concession stand, and buy something for the bus trip home. I usually got Boston Baked Beans, and pushed them absently into my mouth one by one while I read my book. The pages of my childhood books have little reddish-brown smudges on them, where my still damp fingers melted the candy coating and imprinted it on the corner. The bus was quiet. Sunburned waterlogged children drowsed in the seats. Even the sugar we consumed couldn’t combat our post-swimming stupor. We stumbled from the bus, coated with a fine layer of road dust, stuck to our still damp, slightly sweaty, chlorinated skin. Glazed with the remains of the ride, we wandered around until our parents picked us up or we slowly pedaled our bikes up the street to our homes, completely sated by the sweet heavy fruits of summer.














As I approached Glastonbury Tor, my mind began to float freely and follow the spiral that my feet ascended up to the top. All around me was still; I had been lucky enough to get to the site early, and no other pilgrims were around. I climbed slowly, listening to my own breathing and the occasional birdsong. Feeling a bit chilled, I realized that I was beginning to walk through swirling mist. It lay thick on the ground, and was beginning to rise like water around my legs. I was slightly concerned, but felt my mind relax into the mist, becoming one with it.

I continued to walk as though by instinct, and eventually reached the top of the Tor. I had expected to find the standing tower of the chapel of St. Michael de Torre, but instead encountered the most curious wall of vegetation. It climbed high above my head and was intertwined with all manner of viney flowers whose faces peeped from within and on the surface of the hedge. I walked around it, realizing that it was some sort of circular wall. Eventually, as I traversed its circumference, I reached an opening. I peered within, seeing only darkness and mist, with a limited amount of light to the left. I turned to look back at the surrounding lands, and noted that the sun was just clearing the horizon directly facing me, hitting me full in the eyes. Dazzled, I stepped back into the opening of the hedge, and it immediately closed, trapping me within the greening corridor. I was frightened. My breathing quickened and my heart pounded.

As my eyes dilated with fear, I began to make out details of my prison. It appeared almost as a hallway, leading to the unknown. I tried to regain the exit, but the opening was now a solid wall and could not be penetrated by my hand, which I plunged into it again and again. Finally yielding, I cradled my scratched and bloody hand and wrist, panting for breath. I saw that I had no choice. I must move ahead. Invoking the goddess and kissing the trio of crystals that I wear on a chain around my neck, I stepped forward.  As I walked, my eyes became accustomed to the gloom and I soon realized I was in a labyrinth. Having walked a labyrinth before, I quickly fell into a meditative state which deepened with each step. Without realizing it, I had begun to chant:

Roots reaching into the earth,
Down to the depths of the Earth
Life flowing from the world’s heart,
Cerridwen, Thou art.

Trees reaching up to the sky,
Trees with their limbs in the sky.
Stars, nestled sweet on thy bough,
Cerridwen, art Thou.
  This chant was unknown to me. In fact, I was chanting in another language completely. I stopped, surprised, and the chanting immediately stopped as well. I tried to summon it again to my lips in vain. It was not until I walked on and fell back into reverie that I could sing it once again. I was channeling the song, and it felt as though it came straight up from the earth into my chest and out my throat and mouth. I continued to walk, and the chanting became louder, my own voice joined with the voices of others, and although I looked around, I saw no one. The chant carried me along, and suddenly, I was in the center of the labyrinth, standing in a large central clearing.

Trees and shrubs surrounded a clear pool, with a tumbling waterfall creating a musical sound that blended with the chant. I moved toward the pool, aware of rustling and movement in the grasses and shrubs around me. I turned my head quickly many times, but caught glimpse of no one. Seating myself on a large flat rock, I dipped my hand into the pool, and drank deeply of the clear water. As I raised my head, mouth dripping, I saw a woman.

She was the most astonishing creature—her visage appeared to constantly change, her appearance first that of a beautiful young maiden, then a woman lush and heavy with child, and then a magnificent old crone. She wore a gown of indeterminate color, but radiant, and a large raven sat upon her shoulder. Her flickering appearance was troubling at first, but eventually my eyes became used to the sight and my brain interpreted her as simply “trinity.” She held a silver bowl out to me.


“Drink, my lady.” I reached toward her as in a dream. She plunged the bowl into the pool, filling it to the brim, and handed it to me. I took it with both hands and drank deeply. The water ran down the sides of my face as I quenched a thirst deeper than that I had ever known. I felt a sudden tremor and dropped the bowl, sinking back onto the rock. Suddenly I was within and above myself at once, and traveling over the landscape at a breakneck pace. I was held gently within the air, and as I looked down upon my body, I saw silver streams emanating from all of my limbs.

I flew, weightless, into the sky, moving across the earth toward the night, toward the stars and the moon on the other side of the globe, and then flew faster and faster until at last I began to uncoil, as does a spool, and leave a trail of silver behind me, seen from earth, no doubt, as a comet or a falling star. This continued for some time as I became lighter and more ethereal. Finally, I began to slow, and I became aware that I had changed. I was pure energy, just a point of pure energy dancing in the great hall of the universe, and all around me I could sense other points vibrating and moving, pulsing toward and away from one another. I was a point, individual and whole, but part of a collective as well. The feeling was magnificent, the singularity and collectivity of childbirth or sexual ecstasy—I wanted to stay in this form forever!But gradually, I could feel the pull of the earth and the tides, and I realized I was moving in the opposite direction, gaining ethereal matter, becoming more substantive, moving toward the sunrise. I traveled long, and landed back in my body, lightly, and with more than a little regret. The woman stood before me, smiling, and holding the bowl.

“Welcome, young one. You are reborn. Go forth in splendor.” I smiled at her flickering selves, and fingered the three crystals at my neck.

“Blessed Mother,” I murmured, bowing my head and closing my eyes. I felt cool dry lips on my forehead. I lifted my head, opening my eyes, and found myself in front of the tower of the chapel. A crowd of tourists was beginning to gather. I decided to skip the tour, and headed back down the Tor, chanting softly to myself.  


It is winter, cold and bitter. The temperatures are far below usual norms, wind chill hovering around zero each day when I awaken. The skies are blue and sunny, but the lie is revealed when the wind hits your skin, fairly shocking you as it pulls your breath away. Winter’s grip is icy and sharp, and has held us for nearly a month. My skin is dry and parched, positively flaking at times. As I await the rebirth that is spring, I wonder: is the Great Mother signaling me that I am ready to slough off this skin, to be reborn?

As I travel ever closer to my first major destination on this grand tour, I decide that I should perform a ritual cleansing, to make ready for a meeting with the Lady of the Lake.

I gather my ingredients:

2 cups sea salt
1/2 cup almond oil
1/2 cup macadamia nut oil
1/2 cup sesame seed oil
1 tsp. vitamin E
1 tb. dried, ground lavender, rosemary, mint
1-2 drops essential oils

I mix them carefully, focusing and holding my intentions for the coming year as I add each one. I end up with a thick fragrant paste. I enter the old bathhouse, and spy Eclectica lounging with a book in the corner. She tosses me a saucy wink and jerks her head in the direction of the pools. I stand naked before the water, summoning thoughts of all that has occurred in the last cycle of the seasons that I wish to cast aside, as a snake casts its skin to the forest floor. Taking handfuls of the salt scrub, I anoint my body and scrub vigorously, feeling the lovely scratch of the salt, the soothing slip of the oil, and inhaling the delicious aroma of the herbs. In moments I am glowing from head to toe, warm and invigorated. I step into the bath and move freely through the warm water, floating as the past year is washed away. I emerge to a smiling Eclectica holding a warm towel, in which she wraps me, saying, “Welcome back, dearie!”

Once dry, I slip on a fine linen chemise, which glides against my silky skin. Eclectica places a flower in my hair and brings me a mug of hot tea. “Brand new, darling. Good as new.” I sigh deeply, and as I close my eyes to rest, I see a swirling mist, and through it, the beautiful face of the Lady.



Boarding the train to Glastonbury made me think of the movie “Sliding Doors.” In the movie, different realities occur as doors of a train slide open and closed. Entirely different lives of the same characters unfold based on the door selected and the time at which each character passed through. In my mind, I sometimes engage in some sliding door imagination, envisioning what my life would be like had I chosen different doors. One tends to cheat at this game, imagining that one would end with say, the same children, only later on; or perhaps the same circle of friends, but then, that’s not quite true, or possible, is it?


For many years my gameplaying went something like this: If I had just been strong enough to stand up for myself, I would have become a “real artist.” I would be teaching in a classroom every day, and years of study would have created within me a discipline for the daily work of an artist—daily creative work being in no way my forte at the present. My life would have been full of travel, color, eccentricity, and passion. As I ponder this thought, nurturing the deep pain that it brings (has always brought), I notice the train is following the banks of a river.


As we know, water is a powerful force, shaping the very face of our world. But it is also a meek force at times, one that seeks the easy way, the way most traveled, the lowest points in any surface, where it settles and waits, reflecting the sky above in its still surface. In my younger years, this was my movement: the path of least resistance, following the way set for me, eventually running to ground, settling and reflecting a life created for me by someone else.


As a lake or small pond can do, I settled within my boundaries, satisfied. As water does, I birthed life. Two times, in fact; both delivered in a gush of the primordial stuff, and then I lay still again, waiting. In time, through a process quite mysterious—osmosis, absorption, evaporation, cloud seeding?—(I don’t recall the transformation of matter lectures very clearly)—I once again became forceful, cataclysmic, and I ripped through the landscape destroying many things in my path and forging a new channel in the earth. No longer a pool, a puddle, a still well of liquid, I joined once again with the river—she of many tributaries, she of the rapids, the slow eddy, the small waterfall, the deep and unpredictable currents.


So I find myself, now, in this riverbed, this bed of color, unpredictability, freedom, art, and wildness, and I see that moving like water has brought me here, brought me to a place of passion and, yes, instruction. My life is instructive, its course illustrative of one thing—motion, in any direction, brings change. I have movement, flow, power. And as I step off this train, I realize that all doors lead to me.



Latitude, longitude, declination, hour angle, zenith, horizon…

I sail internal seas, seeking course correction as necessary, looking to the stars, the sun, the moon, the horizon as I steer my vessel. [The geographic position—GP—is the location on the earth immediately underneath a heavenly body, e.g. the sun or a star. That is, the GP is the point where a line from the center of the body to the center of the earth intersects the surface of the earth.] My heart line runs true, through a sea of rippling, undulating grass straight to Vulcan, blowing his mighty breath on earth’s molten liquid core.

[Latitude: 38.971N, Longitude: -95.235W.] Intersecting grids that become curvilinear as they wrap themselves around our mother connect me with all other beings, all other spaces. I am the intersection of time, DNA, cellular knowledge, and imagination. My latitude streaks from pole to pole, ricocheting wildly between two magnetisms, art and science. My longitude is one of many Great Circles, within which I am held.

When I know my position—revealed in true degrees, much like truth—I can calculate my azimuth. [The azimuth is the bearing from our position to the GP of the heavenly body.] The azimuth, my quantified relationship to the Heavenly Body, is closer or further from my true position depending on the day, the internal weather, and the inclination or declination of spirit that is present in this vessel. Heavenly Bodies may be static or in motion, leading, at times, to a profound sense of


The horizon splits heaven from earth [or sea.] What is possible, what is real, is defined by the horizon. Our expanse can be limitless, carried in the trust that we will not sail off the edge [but over and beyond]; or we may be trapped in fear, imprisoned within the harsh impenetrable edge of our world.

Throw away your charts and books. [Navigating by stars and planets alone.] Make your measurements of stars and planets at dawn or dusk, when the light is balanced, and both the horizon and celestial objects are visible. In the moment of perfection, [light, dark, yin, yang, male, female, joy, sorrow, birth, death] we see perfectly: our way clear, godspeed, sea smooth as glass.


One of many side trips……

The Taverna di Muse is lovely tonight, warm and redolent with the spicy smells of delicious and exotic foods…the music plays, transporting me to other places, other times, and I rise to my feet. I begin to dance, inhabited by the spirit of flamenco. The crooner sees me, and begins to sing a song, a flamenco-poem, in Spanish. I move through the taverna as moonlight moves on water, swaying and flowing with grace.  I end the piece with head bowed, one hand high in the air, as the crowd of artists, writers, and musicians applaud and whistle.



A Conchita García Lorca

La luna vino a la fragua
con su polisón de nardos.
El niño la mira, mira.
El niño la está mirando.

En el aire conmovido
mueve la luna sus brazos
y enseña, lúbrica y pura,
sus senos de duro estaño.

Huye luna, luna, luna.
Si vinieran los gitanos,
harían con tu corazón
collares y anillos blancos.

Niño, déjame que baile.
Cuando vengan los gitanos,
te encontrarán sobre el yunque
con los ojillos cerrados.

Huye luna, luna, luna,
que ya siento sus caballos.

Niño, déjame, no pises
mi blancor almidonado.

El jinete se acercaba
tocando el tambor
del llano.
Dentro de la fragua el niño,
tiene los ojos cerrados.

Por el olivar venían,
bronce y sueño, los gitanos.
Las cabezas levantadas
y los ojos entornados.

Cómo canta la zumaya,
¡ay, cómo canta en el árbol!
Por el cielo va la luna
con un niño de la mano.

Dentro de la fragua lloran,
dando gritos, los gitanos.
El aire la vela, vela.
El aire la está velando.


Song of the Moon, Moon
   to Conchita García Lorca

The moon came to the forge
with her bustle of nards.
The boy watches the sight.
The boy is watching her.

In the trembling air
the moon moves her arm
and lewd and pure shows
her breasts of hard tin.

“Run Moon, Moon, Moon.
If the gypsies came
they would twist your heart
into chains and rings of white.”

“Boy, let me dance.
When the gypsies come,
they’ll find you on the anvil,
fast asleep.”

“Run Moon, Moon, Moon,
because I hear their horses now.”
“Boy, leave my whiteness

The rider approached
tapping his tamborine.
Inside the forge was the boy,
with his eyes closed.

Through the olive grove they came,
all bronze and dreams, the gypsies.
Their heads lifted up,
their eyes half-shut.

“How the owl sings, Ay!
how the tawny owl sings in the tree!”
Through the sky the moon takes
the boy by the hand.

Inside the forge, the gypsies
cry and give shouts.
The wind guards, it guards.
The wind is guarding it.


Federico Garcia Lorca


My plan is to take an oceangoing vessel into London and then proceed by train to Glastonbury,  immersing myself in Arthurian splendor.

From there, I shall cross the channel into France and go directly to Paris, where I shall seek out art and la vie boheme.

Traveling into Italy, I plan to seek out not only the fine museums and Vatican City, but also to find a woman of the countryside to teach me some authentic cookery skills and legends of the area.

Greece beckons next, and then on into the Eastern European countries, up through Romania into Poland, my ancestral home.

I shall wind my way through Germany and Belgium, returning to Britain for the summer Solstice at Stonehenge.

To my dear aunt I leave the travel details. Who knows what interesting side trips may occur?


On this tour, my companion will be my dear Aunt Therese. A formidable woman, she spent time in a convent as a young woman, but shortly before taking her final vows, she experienced an awakening of her personal sense of power. The night before she was to take her vows, she dreamt of a white owl, which flew into her cloistered cell through the small window that was positioned so high, she could not see out. The owl landed on her chest, and she felt its great weight, as it peered into her eyes with its own large orbs. She stared, terrified, and it snapped its beak at her and uttered one word, in a tone full and low: “Freedom.” It flew away then, and dazed, she fell back into slumber. The next morning when she awoke at first dawn, she found a single feather on her breast. She packed her few things, left the convent, and has travelled the world, dedicating herself to a life of freedom and to helping others, especially women, children, and animals, to do the same. She will meet me at designated points along the journey.


My primary goal on this tour is enjoying what is at hand, so I had planned to pack quite lightly and just take what I felt were the essentials–sturdy clothing, a mess kit, and art supplies. But one day last week, I heard a knock at my door, and opened it to find absolutely no one….however, a large package sat on my stoop, and I brought it into the house with great curiosity. My dog Katy sniffed it cautiously, and I walked around it, looking for some clue as to its origin. Finding none, I retrieved some scissors, and with great care, slit open the brown paper wrapper. Inside was a magnificent carpetbag, woven from some sort of kilim-type fabric, with sturdy valise handles and a bronze clasp that looked like two hands in prayer position. I opened the bag. I could have sworn I felt the faintest breeze, warm and spicy with odors of cinnamon and cumin, caress my face. I felt deep inside the darkness of the bag, and pulled out a garment, plain but somehow radiant, a soft, voluminous fabric that slithered through my fingers like silk.  It was a cape! Pinned to the cape was this note:

“Dear Karen: This bag contains everything you need for your journey. You have but to reach inside and you will be given whatever you need–note: I say need–not want. I understand your goal for the journey is to gain a full appreciation for what is, what you have, and what you take for granted. We all wish for the moon, but oftentimes the stars are enough. Journey in good health,

She Who Is

This journey may be more than I bargained for.  

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